This was at the picture lock stage and the global film festivals submission deadlines were looming. I was asked to work on Dialogue, sound design and the dubbing mix. I was recommended by the re-recording mixer.

This project was fully remote with the director and re-recording mixer based in Canada. The film itself was Sci-fi and filmed with the “Red-Dwarf” analogue/low budget look in mind but to not be a cheap production. So, the sound and music were important and had to have style, immersion and not be too glossy.

I worked closely with the director/producer and the re-recording mixer, almost daily sending examples of sound design and at the midway point the director asked me to listen to some composers and advised him on the ones that I thought would fit the soundscape and theme needed.

I worked with the composer from Miami closely once he started sending me examples for scenes. We built the world the director wanted and it sounded fantastic.