This project was fully remote as clients were in the U.S. and Scotland. Filming was complete and I was asked to take on the audio postproduction stage just prior to the picture lock point.

I put a team together that consisted of a dialogue editor, re-recording mixer, foley recordist, foley tracklay editor and myself as the sound designer and dubbing mixer.

The film was a rom-com with many comedy elements that needed emphasis and locations that needed specific audio precision and realism. Dialogue was priority and had to be perfect, so a lot of time was dedicated to this. The foley needed to be perfect and was a huge challenge as the production sounds were not good enough to be used. The ambiences, environments and sound design would be woven through the many music compositions seamlessly.